While he has been deeply involved in the production of two Broadway plays and three documentary films since 2008, he didn’t neglect what he referred to several times as his “day job.” Established in 1985, Edward Tyler Nahem Gallery exhibits modern, postwar, and contemporary art by such masters as Jean-Michel Basquiat, Willem de Kooning, Joan Mitchell, Cy Twombly, Helen Frankenthaler, Frank Stella, and many others.
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It’s amazing what it takes to get a movie made, to have all of the pieces fall into place at the same time.”
“As a producer, there are always conversations with writers, meetings with potential directors. And, as with his other film projects, he was actively engaged with the production, hiring the first writer, Radha Blank, a friend of his. Nahem worked as producer, but the first dramatic feature. “Monster” was the fourth film on which Mr. Nahem during a Zoom conversation from his home in Sagaponack. “Tanya and I spoke about it that night,” said Mr. Tonya Lewis Lee, the filmmaker’s wife, and her working partner, Nikki Silver, had optioned the novel. In addition to the president, the gallery owner Edward Tyler Nahem was there. The project began to take shape in 2012 at a dinner for Barack Obama’s re-election campaign at the home of Spike Lee. The story of Steve Harmon, a 17-year-old Black honor student whose world falls apart when he is charged with felony murder, was adapted from a young adult novel of the same name by Walter Dean Myers. As Gary Goldstein of The Los Angeles Times wrote, “ ‘Monster’ is a terrific film: a strong, absorbing, beautifully performed and crafted social drama that, unfortunately, proves even timelier today than when it was shot in 2017.”
Although the path to the movie “Monster,” which was released on May 7 on Netflix, was a long one, the timing was fortuitous.